1718-1793   Related Paintings of Alexandre Roslin :. | Portrait of Marie-Jeanne Buzeau | Portrait of Countess de Baviere Grosberg | french writer | Princess Trubetskaya | Gustav III |
Related Artists:
George Romney
1734-1802 George Romney Galleries By 1757 he was becoming well-known as a portraitist. He fell ill during his apprenticeship and was nursed back to health by Mary Abbott, daughter of his landlady. In 1762, by which time he was married with two children, he went to London, and saw early success with a painting, The Death of General Wolfe which won a prize from the Royal Society of Arts. Romney soon had a thriving portrait business in Long Acre. Despite his great success George Romney was never invited to join the Royal Academy nor did he ever apply to join. While there has been much speculation about his relationship with the Academy there is no doubt that he normally remained aloof maintaining that a good artist should succeed without being a member. His own career certainly supported this belief and it was only towards the end of his life that he expressed the slightest regret for his views Portrait of Miss Juliana Willoughby, 1781-83 (National Gallery of Art, Washington DC) Emma Hamilton as a bacchante by George Romney, 1785In 1773 he travelled to Italy with fellow artist Ozias Humphrey to study art in Rome and Parma, returning to London in 1775 to resume business, this time in Cavendish Square (in a house formerly owned by noted portraitist Francis Cotes). In 1782 he met Emma Hamilton (then called Emma Hart) who became his muse. He painted over 60 portraits of her in various poses, sometimes playing the part of historical or mythological figures. He also painted many other contemporaries, including fellow artist Mary Moser. After an absence of almost forty years, he returned to his family in Kendal in the summer of 1799. He was greeted by his loyal, devoted and unquestioning wife. George Romney is a kinsman of Mitt Romney, U.S politician.
Steven van der Meulen
(b. eAntwerp - d. London, e1563-64) was a Dutch artist active c. 1543-1564. He gained prominence in England in the first decade of the reign of Elizabeth I as one of many Flemish artists active at the Tudor court. He is best known for the "Barrington Park" portrait type of Elizabeth I and for three-quarter length portraits of members of the English court in the first half of the 1560s. A recently discovered will indicates that he died in London between October 1563 and January 1564.
Marie Spartali Stillman
English Pre-Raphaelite Painter, 1844-1927 was a British Pre-Raphaelite painter of Greek descent, arguably the greatest female artist of that movement. During a sixty-year career she produced over one hundred works, contributing regularly to galleries in Great Britain and the United States. Maria Spartali was the youngest daughter of Michael Spartali, a wealthy merchant and Greek consul-general based in London, and his wife Euphrosyne. She and her cousins Maria Zambaco and Aglaia Coronio were known collectively among friends as "the Three Graces", after the Charites of Greek mythology (Aglaia, Euphrosyne and Thalia), as all three were noted beauties of Greek heritage. Swinburne said of Spartali: "She is so beautiful that I want to sit down and cry". Spartali studied under Ford Madox Brown for several years from 1864, with his children Lucy, Catherine and Oliver. She modelled for: Brown; Burne-Jones (The Mill); Julia Margaret Cameron; Rossetti (A Vision of Fiammetta, Dante's Dream, The Bower Meadow); Spencer Stanhope; and Whistler (La Princesse du Pays de la Porcelaine). In 1871, against her parents' wishes, she married American journalist and painter William J. Stillman. She was his second wife, his first having committed suicide two years before. His job as a foreign correspondent resulted in the couple dividing their time between London and Florence from 1878 to 1883, and then Rome from 1889 to 1896.